Marc De Meilhan Four38090 2012 Print Of The Artist

It is true that I had to try to go more far in this shot that had, at the outset, no claim... to Try to go behind the branches to ensure a bit on the silence of these crosses in the distance which sleep standing on absent and in this question astounding as is the eternal rest of its living beings and stopped suddenly. In the burial arises where the church tower and a few roofs, I also wanted to say that the village, a little, enfouissait in turn little by little, and the time passes slow clock of the clock attached to the bell as if to say that there is always time to think or consider otherwise now or in the future, that does not change anything for a living or for a death... What was is in the presence of this yesterday, today and tomorrow... this is just a simple idea to believe that the page is turned. Thank you and yours sincerely, Marc.

The vision is not systematically the 'viewfinder' initial... or, the 'viewfinder' would be an archaism which would be afloat for former purposes archived but that would be a Resurgence in the spontaneity and surprise of an inner language... not in any way to the mastery of a gaze fixed but calculated in advance. There can be no calculation or pre-established in this process of transposition of ideas and product from them. The 'stiffness' of wandering through this journey of the cross... is aligned uniquely in the semiotic which continually float in the watermark through what is being said. The symbolism manichean visible harmonizes with zeal in this, which is an approach also, an underground, 'defusing' of the scene or the shot naturally. This is, indeed, ' so many questions ', ' so many questions ', so many mysteries '... to which I try to meet with the difficulties in language and letter that you give me, Friend.

To be more ' pragmatic '... there's this innocence in the process, which meant that the target object is transformed dramatically, incidentally, without being provided the designer from the outset... there is a metamorphosis of the subject without that it is a calculation in the beginning... But the light it emanates, by a miracle, the shadow and gives the whole to take without it being necessary to intervene in our turn. I don't know, if it is ' sensitivity ', ' emotion ', etc, I know that the inner language is the practical guide that enables you, without me, to give a sense to existence fade passes into indifference. I don't want to see something other than the spark short that lit the contour tenuous this 'murmur silent' or the stop has been overwhelming... (modestly of course). Without a doubt, 'the anamorphisme' that you see is nothing but the subjective interpretation that the spirit returns. I'm like the silence before the divine, who knows more than me, to be in this presence,

... pulls me in hand - to take me and I strive towards what I believe to be the ' common sense ', by issuing over-self, a few reservations of course, since it does not belong to me, here, me only, be in the 'belonging' that which does not belong to me.
The things of the spirit are what the 'vapors singing' of the earth and the sky may... transmit.

Thank you Butterfly for this piercing gaze that goes up to the key and the trace of the hair... of the brush. It is by going to the bottom, by this effect of transparency, that we can search for the prettiness of what was or was not and are not necessarily adorned by nature ; to give to see another form of prettiness, looking playful on a topic. Is this not the role of the artist, the painter, and thus of the photographer ? It feels like well what we know or what we seek to know in the intelligence of a form of wisdom... and, in the respect of the unknown or the unknowable as we try to tame to better know. Friendships Butterfly. Marc.

Hello. So, I am not too bad somehow, Claude 17. The message is well accepted and I am happy to have had your visit. Thank you, it is super nice. Marc.

Hello Nicole. The fact that I am a painter plays on the picture. I'm not saying that this will not be useful for my achievements if I'm back to painting one day, (if it lets me...) In any case, thank you, thank you for this visit. (Have you seen, I've put a snapshot of the Castle of Moidière... I only had this picture, alas.) Amts, Marc.

The 'dream' is used to pass many bad nights... I hope not. But there was no woman in any case. Except you, perhaps, in a momentum that you don't know yet... You can still see many things and this is good, since in my approach, I research a little bit on this... a kind of sensuality that would simply give 'the idea...' thank you, Thank you Lumixane and good wind. Amts, Marc.

Hello and thank you for the visit. I'm a painter, so this technique is used quite commonly by some artists. It involves using different layers you applied on your base image. Cordially, Marc.