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Author 'Lumixane' (Id 192519 ) : I wanted to go to the top of the mast, whose presence in this place seemed to me incongruous. Rush hour, the queue of cars between the lights being uninterrupted, war weary, I took the photo, and finally reflections on the hoods fill in the bottom of the image in some way, I have kept



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Fit for your screen resolution Wallpaper Iphone (320x480)
 
 
 
 
 
EXIF : Brand: Fujifilm | Camera: Fujifilm X S1
Aperture: f/8.0 | Exposure time: 1/2900 s | ISO: 100 | Focal: 15.1 mm | Metering: Spot (3)
Prog. expo.: Priorité ouverture (2) | Correction: 0 EV | Flash: Non (16) | Date: 18/03/2013 18:49:26
5 Favorites : Jofu, Nicole.Barberon, Manu, Evie, Fifie34 like too...

Matt Bir Hakeim: 9 Comment(s) | Very Good (4.28/5)
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> Fifie34 [G] [P] [C] [B] [F] >Reply Mar 25, 2013
It takes a little deciphering at the beginning ! But what immediately attracts it is this light sublime that gives any value to this image. I like a lot and, of course, it is necessary to keep the hoods on.
The floor lamp is incorrectly placed the bugger, we want to shift a few mm.
Anne, for your vision of photography which enchants us.
 
> Evie [G] [P] [C] [F] >Reply Mar 25, 2013
do you think, dear Anne, and this is what I love in you, you have a vision that many others don't have, and even if our friend Lou feignassou was completely right, this photo has the merit to bring the viewer a moment of magic, it is interpreted then as the would like to this image, in this helped by your photo, related, welcome, and that I'd be happy to ride here if I'm not feared to deprive this lovely mast of its effect, it was one or the other... But you are generous, Anne, and flipping through your gallery, it has the one and the other, then dream of it...
 
> Perronnet Catherine [G] [P] [C] [F] >Reply Mar 23, 2013
strange and intriguing to wish your photo !!! What I like most is the lighting sublime.
 
> Lou feignassou [G] [P] [C] [F] >Reply Mar 23, 2013
Paris brule-t-il, is it already burned ? a photo that embraces your bridge fetish, but attention to the old adage 'too embraces embraces evil', a typical result of mega sub-expo of a cell, betrayed by a counter-day shield, maybe this was a wanted effect, but for me it is much too dark ! The only positive outcome is the rendering unusual on these damned cars, we can fix it in the editing or shooting with a bracketing of the positive at least 3 or 4 notch opening or do a spot metering on a part of the bridge, but then, the sky may be too clear, check the result on the screen and do more tests ; otherwise, the lamp is too close to the pillar.
 
 > Author Lumixane [G] [P] [C] [F] >Reply
Mar 23, 2013
 
Everything was well calculated, Lou lighting, it is as I desired so as not to burn - if this is not the location of the floor lamp that needs to be shifted on the right, we are in agreement on this point, it is impossible to remedy it, if not remove in post processing but it would have been to distort the bridge, especially as the legs of an elephant are not distinct in this against-day frenzied.
 
> Spiros [G] [P] [C] [F] >Reply Mar 23, 2013
An open window to the ocean. The sailboat without sails illuminated by the flickering of the cars in the traffic jam. It is your first photo of the bridge, where modernity takes a central place.
 
> D.marsim [G] [P] [C] [F] >Reply Mar 22, 2013
The discerning eye of the photographer has targeted and seized the mat at the right place for a short moment shared with the luminaire
 
> Nicole.barberon [G] [P] [C] [B] [F] >Reply Mar 22, 2013
Superb shot with a beautiful play of light, seen for the glare of the caps, you did well to keep them, they are the most beautiful effect. Anne and thank you.
 
> Cathygdb >Reply Mar 22, 2013
I make the same comment, word-for-word as that of Jofu - and this is not because I am too lazy to find another one ).
 
> Jofu [G] [P] [C] [F] >Reply Mar 21, 2013
You know as well as play with the light . The reflection on the doors changes everything ; 'thou hast kept', and you had reason.
 
Comment(s) : 9 | Average : Very Good (4.28/5)
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